2013 was a dandy year for me and Desperately Seeking the Exit. Here are 13 reasons why:
- EXIT debuts in Ft. Myers at Theatre Conspiracy. This was the first time the show played in an actual theater and was met with large houses and a fabulous review. It was also very nice to do the show with a tan.
- EXIT debuts in Australia at the Adelaide Fringe. While the houses weren’t huge (but they were hot and I was tan) the show went on to receive two 5-star reviews and was named Best Comedy by The Advertiser. Many new friends were made and it was a blast to see fellow performers from other festivals doing their thing. I also determined that I wasn’t a fan of kangaroo meat.
- Did a few more “pop-up” performances of the show at the Triple Crown which regularly had standing room only … and many drinks afterward with good people. And got a new rave here.
- LONDON! The show made its way back to where it all (sort of) began with a month-long run at the Leicester Square Theatre in the West End and two performances at the Brighton Fringe. Producer Kat Portman picked the show up after seeing it at the 2012 Edinburgh Fringe and produced the marathon London run that was met with great houses, lots of press, and me learning how to spell the word “Leicester.” We had weekly talk-backs with the original Desperately Seeking Susan cast and crew members and many fond memories were shared.
- I had the great pleasure of bringing my Flying Solo classes to The Actor’s Centre in London during the run and helped a dozen students create the beginnings of new solo shows … a few of which will be making their debut at the 2014 Edinburgh Fringe.
- Had brunch at Sir Ian McKellen’s house and enjoyed conversations with Ian, Ruby Wax, Alan Rickman, Martin Sherman, and other British notables. ‘Nuf said.
- Directed and developed Eva Andersen & Joan Estep’s original musical-comedy-variety-bio-show My Sax Life is All Fached Up which played to a sold out house in Ars Nova’s ANTFEST.
- Opened Amy Albert’s Delilah Dix: America’s Showgirl at the Hollywood Fringe, which I had originally directed and developed at Ars Nova. Sold out run and great times with my LA peeps. And a mandatory trip to Universal Studios.
- Emceed the Long Lake Bed Races on July 4 weekend. Yes. These are races where costumed teams race decorated beds as I interrogate bewildered travelers passing through the town.
- Back to the 2013 Edinburgh Fringe with EXIT for 24 performances in a different venue with standing-room only crowds. The show was named Top 5 Solo shows by Fringe Review and received a bunch of new raves.
- Created and hosted the Critical Mass Tomato Toss in Edinburgh where scorned performers gleefully threw tomatoes at a wall of critics … for charity of course!
- Brought EXIT to Buffalo (where the first reading of the show happened almost 2 years ago) and got some great press and full, fabulous houses.
- Co-produced and created SOLOCOM at The PIT with my new pal Toby Knops. This exciting event packed two theaters over two days with 60 solo comedies making their world premier. Many of these shows are now heading toward full productions and runs in 2014.
I also taught my award winning Flying Solo classes and was presented with the Teacher of the Year Award at The PIT. The Orlando Fringe picked up EXIT where it will be presented in May 2014. Had a chilly blast emceeing the Polar Bear Plunge in Long Lake, and I did indeed plunge into the frigid waters with the rest of the lunatics. And, I began work developing two new solo shows that I’m directing this coming winter and spring: Mark Demayo’s retired NYPD cop comedy 20 & Out, and Amy Marcs’ gripping cancer comedy NICE T*TS.
Finally, it looks like Hollywood Nurses (the lesbian pulp novel homage I co-wrote with Sheila Head) will be making its NYC debut sometime next fall. Don’t fret – you’ll know all about it when the time comes.
Everyone has been so supportive of EXIT and many of the other projects these past two years, and I cannot thank you enough. I hope that 2014 brings you all great happiness and fulfillment and I hope to continue to challenge myself and my audiences with innovative, universal, fun and entertaining work that illuminates a bit more of this condition we call being human.